OTHER WRITINGSAcademic journal articles, book chapters, catalog essays, arts writing, etc. Links to digital copies of these can be found here, if available.
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Academic Journal Articles
Guinness, Katherine, Charlotte Kent, and Martina Tanga. “Collaborative Reflections on the Feminist Art and Architecture Collaborative,” OAR: The Oxford Artistic and Practice Based Research Platform, 4 (2021). [link]
Guinness, Katherine. “Negative Hauntology and the Nuclear Sublime: On VR and Catastrophe,” Spectator 40:2 (2020), 31-39. [link]
Bollmer, Grant and Katherine Guinness. “Empathy and Nausea: Virtual Reality and Jordan Wolfson’s Real Violence,” Journal of Visual Culture 19:1 (2020), 28-46. [link]
Guinness, Katherine. “The Coloniser and Corpus Nullius,” parallax 26:1 (2020), 76-88. [link]
Bollmer, Grant and Katherine Guinness. “‘Do You Really Want to Live Forever?’: Animism, Death, and the Trouble of Digital Images,” Cultural Studies Review 24:2 (2018), 79-96. [link]
Guinness, Katherine. “Hard at Play: Zaniness and Labour in Contemporary Art,” Australian and New Zealand Journal of Art 18:1 (2018), 90-107. [link] Recipient of the Art Association of Australia & New Zealand (AAANZ) Best Scholarly Article in the Australian and New Zealand Journal of Art Prize, 2019
Bollmer, Grant and Katherine Guinness. “Phenomenology for the Selfie,” Cultural Politics 13:2 (2017), 156-176. [link]
Guinness, Katherine and Grant Bollmer. “Marina Abramović Doesn’t Feel Like You,” Feral Feminisms 3 (2015), 46-61. [link]
Guinness, Katherine. “Desiring and Destruction: Rosemarie Trockel’s Painting Machine,” NYX: A Noctournal 7 (2012), 93-100.
Guinness, Katherine. “For No Given Reason,” This:That: William Wylie and Corey Drieth (Charlottesville and Colorado Springs: University of Virginia and University of Colorado, Colorado Springs, 2021), 9-31. [link]
Guinness, Katherine. “The Vegetal World,” Family Tree Whakapapa: Elin, Madeleine, Sarah, and Susanne Slavick (Auckland and Masterton, New Zealand: Wallace Arts Trust and Aratoi - Wairarapa Museum of Art and History, 2021), 3-9. [link]
Guinness, Katherine. “Heath Franco’s LIFE IS SEXY,” The National (Sydney: Art Gallery of New South Wales, Carriageworks, and the Museum of Contemporary Art Sydney, 2017). [link]
Guinness, Katherine. “Collaborations – A Formless Dialectic,” Montclair State University Creative Research Center, September 30, 2019. [link]
The Feminist Art and Architecture Collaborative: Ana María León, Andrea J. Merrett, Armaghan Ziaee, Catalina Mejía Moreno, Charlotte Kent, Elaine Stiles, Emma Cheatle, Jennifer Y. Chuong, Katherine Guinness, Juliana Maxim, Louisa Iarocci, Martina Tanga, Olga Touloumi, Rebecca Choi, S Surface, Saher Sohail, Sarah Parrish, Tessa Paneth-Pollak. “To Manifest,” Harvard Design Magazine 46 (Winter 2018), 182-189. [link]
Guinness, Katherine. “Making Kin with Pessimism (and Mushrooms),” Tilt West, October 16, 2018. [link]
Guinness, Katherine. “The Future is Already Here, It’s Just the End,” KAPSULA 3 (2016), 8-15. [link] Commissioned through the Lisa Visser Writer’s Fund Award
Guinness, Katherine. “9B and Me (Love, Touch, Destruction),” KAPSULA 2:3 (2015), 6-13. [link]
Guinness, Katherine. “Does Heath Franco Think I’m a Dickhead? (Or, How I Learned to Stop Worrying and Love the Art that Makes Me Angry),” KAPSULA 1:4 (2014), 16-19. [link]
Guinness, Katherine. “Celebrating an Unstable Oeuvre: Rosemarie Trockel’s Retrospective,” Esse 80 (2014), 76-81.