https://katherineguinness.com Katherine Guinness Tue, 09 Jul 2024 01:31:56 +0000 https://katherineguinness.com en https://katherineguinness.com/Main-page Fri, 18 Jun 2021 16:35:47 +0000 Katherine Guinness https://katherineguinness.com/Main-page PROJECTS, WRITINGS, THINGS <img width="800" height="1200" src="https://freight.cargo.site/w/500/q/75/i/081d95c428c7571a2c2e9e37bea5788a572dd9a4e865b3da0c22a6989cd0d643/pid_36787.jpg" style="width: 196.905469px; height: 295.358203px; transform: rotate(2deg);" data-scale="87" data-rotation="2.5" data-no-zoom=""> THE INFLUENCER FACTORY: A MARXIST THEORY OF CORPORATE PERSONHOOD ON YOUTUBE(COAUTHORED WITH GRANT BOLLMER) “Influencers...achieve wealth, fame, and luxury by imagining themselves and acting not as individuals but as if their existence is equivalent to that of a vertically integrated corporation, a context in which rights and abilities are denied human citizens and transferred to corporate entities...”Read more... <img width="779" height="1000" width_o="779" height_o="1000" data-src="https://freight.cargo.site/t/original/i/ff3d1334118bbb4da17811ed88216a3020045635e5aef29f9b93711ecd0a041d/61b0D6Y9KKL._AC_UF894-1000_QL80_.jpg" data-mid="214339956" border="0" data-scale="94" data-no-zoom data-rotation="5" src="https://freight.cargo.site/w/779/i/ff3d1334118bbb4da17811ed88216a3020045635e5aef29f9b93711ecd0a041d/61b0D6Y9KKL._AC_UF894-1000_QL80_.jpg" /> SCHIZOGENESIS: THE ART OF ROSEMARIE TROCKEL “A deep analysis of an enigmatic artist whose oeuvre opens new spaces for understanding feminism, the body, and identity.” Read more... <img width="418" height="600" width_o="418" height_o="600" data-src="https://freight.cargo.site/t/original/i/2044d870d42d8dea04b74f324567041f70146f57c6e1da73faf2ee98cacc21a6/9781789389067-153675-800x600.jpg" data-mid="214339949" border="0" data-scale="77" data-no-zoom data-rotation="2.5" src="https://freight.cargo.site/w/418/i/2044d870d42d8dea04b74f324567041f70146f57c6e1da73faf2ee98cacc21a6/9781789389067-153675-800x600.jpg" /> CONTEMPRARY ABSURDITIES, EXISTENTIAL CRISES, AND VISUAL ART(COEDITED WITH CHARLOTTE KENT) “Coherent demands or claims are perhaps antithetical to the absurd. often using extreme stances, the absurd shows why dearly held beliefs won’t work as intended. While absurdism provides neither answers nor solutions nor hope, it is not nihilistic... Pessimism and nihilism require some gesture towards ‘giving up’, or even a sense of faith. These are antithetical to the absurd. Those who can’t give up, or can’t have faith, need something beyond nihilism or pessimism.” Read more... <img width="1064" height="610" width_o="1064" height_o="610" data-src="https://freight.cargo.site/t/original/i/dcba0b20e03a8190171645f88cb6188f67cc3fb25ccdaacce9159b444ffd7677/article_1064x.png" data-mid="111730612" border="0" data-no-zoom data-rotation="-5" src="https://freight.cargo.site/w/1000/i/dcba0b20e03a8190171645f88cb6188f67cc3fb25ccdaacce9159b444ffd7677/article_1064x.png" /> OTHER WRITINGS Academic journal articles, book chapters, catalog essays, arts writing, etc. Read more... <img width="3373" height="3183" width_o="3373" height_o="3183" data-src="https://freight.cargo.site/t/original/i/d054ec6f3e5ee466531e7f6cdfb7813d26bab6e4957fcefea956169e73bdc3f7/DSCF1879.png" data-mid="111729280" border="0" data-no-zoom data-rotation="5" src="https://freight.cargo.site/w/1000/i/d054ec6f3e5ee466531e7f6cdfb7813d26bab6e4957fcefea956169e73bdc3f7/DSCF1879.png" /> CURATION The Female Emerging Artists Residency Series (FEARS) and other exhibitions. Read more... <img width="1870" height="1044" width_o="1870" height_o="1044" data-src="https://freight.cargo.site/t/original/i/4b5260a8647dae30db11ced8cd2890a48779cf541bee65f3c2482e08a573fce7/option2.png" data-mid="111732140" border="0" data-no-zoom data-rotation="-12.5" src="https://freight.cargo.site/w/1000/i/4b5260a8647dae30db11ced8cd2890a48779cf541bee65f3c2482e08a573fce7/option2.png" /> MEDIA Interviews, artist talks, podcasts, and other media appearances. Read more... <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a759757d9b3d08ca745b8a07cb0ab48161ace2c349916ba9bb96a0e79e909c76/IMG_6282-1.png" data-mid="111729410" border="0" data-scale="86" data-no-zoom data-rotation="15" src="https://freight.cargo.site/w/1000/i/a759757d9b3d08ca745b8a07cb0ab48161ace2c349916ba9bb96a0e79e909c76/IMG_6282-1.png" /> PEDAGOGY Teaching projects and other examples of educational practice. Read more... <img width="1582" height="1106" width_o="1582" height_o="1106" data-src="https://freight.cargo.site/t/original/i/65561be1e6021ceaea0524ddb4fafebd870b98dd973daaf7ace2ef7dbaaa0bbd/Screen-Shot-2022-10-16-at-2.20.31-PM.png" data-mid="155993554" border="0" data-no-zoom data-rotation="-15" src="https://freight.cargo.site/w/1000/i/65561be1e6021ceaea0524ddb4fafebd870b98dd973daaf7ace2ef7dbaaa0bbd/Screen-Shot-2022-10-16-at-2.20.31-PM.png" /><img width="1118" height="1252" width_o="1118" height_o="1252" data-src="https://freight.cargo.site/t/original/i/17ef11188f6e9fdb7ced9932660a0d73134166888e853e94a3ed3dfeb7f8447f/Screen-Shot-2022-10-16-at-2.50.49-PM.png" data-mid="155997085" border="0" data-no-zoom data-rotation="5" src="https://freight.cargo.site/w/1000/i/17ef11188f6e9fdb7ced9932660a0d73134166888e853e94a3ed3dfeb7f8447f/Screen-Shot-2022-10-16-at-2.50.49-PM.png" /> FEMINIST INTERVIEW PROJECT A series of interviews, organized and edited by Katherine and&nbsp;Jocelyn Marshall on behalf of CAA’s Committee for Women in the Arts, published in Art Journal Open. Read more... Image credits (listed from top to bottom): covers of The Influencer Factory, Schizogenesis, and Contemporary Absurdities; still from&nbsp;Heath Franco, LIFE IS SEXY, 2016–17, two-channel HD video, color, sound, 15 minutes 12 seconds; Stacy Platt, installation view of Kimberly English’s touch-and-go, January 2021; a screen capture of Katherine giving a talk; an example of the activities of the Department of Homeland Obscurity feminist interventionist art collective; screengrabs from the Feminist Interview Project on Art Journal Open. https://katherineguinness.com/Schizogenesis Fri, 18 Jun 2021 16:35:46 +0000 Katherine Guinness https://katherineguinness.com/Schizogenesis SCHIZOGENESIS: THE ART OF ROSEMARIE TROCKEL ︎ Return to Main Page A deep analysis of an enigmatic artist whose oeuvre opens new spaces for understanding feminism, the body, and identity Utilizing a wide range of historical and popular knowledge, Katherine Guinness gives us the ever-branching readings that Rosemarie Trockel’s art requires. With a spirit for pursuing the surprising and the obscure, Guinness delves deep into a creator who is largely seen as an enigma, revealing Trockel as a thinker who challenges and transforms the possibilities of bodily representation and identity. Recipient of the College Art Association (CAA) Millard Meiss Publication Fund Award, Spring 2019 <img width="779" height="1000" width_o="779" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c8bd03a28626fd211acbd40dd880b15a107724ecbae677a98d0b5d9feccfb387/61b0D6Y9KKL._AC_UF894-1000_QL80_.jpg" data-mid="214341221" border="0" data-scale="65" data-no-zoom data-rotation="-5" src="https://freight.cargo.site/w/779/i/c8bd03a28626fd211acbd40dd880b15a107724ecbae677a98d0b5d9feccfb387/61b0D6Y9KKL._AC_UF894-1000_QL80_.jpg" /> Popular and pioneering as a conceptual artist, Rosemarie Trockel has never before been examined at length in a dedicated book. This volume fills that gap while articulating a new interpretation of feminist theory and bodily identity based around the idea of schizogenesis central to Trockel’s work. Schizogenesis is a fission-like form of asexual reproduction in which new organisms are created but no original is left behind. Author Katherine Guinness applies it in surprising and insightful ways to the career of an artist who has continually reimagined herself and her artistic vision. Drawing on the philosophies of feminists such as Simone de Beauvoir, Shulamith Firestone, and Monique Wittig, Guinness argues that Trockel’s varied output of painting, fabric, sculpture, film, and performance is best seen as opening a space that is peculiarly feminist yet not contained by dominant articulations of feminism. Utilizing a wide range of historical and popular knowledge—from Baader Meinhof to Pinocchio, poodles, NASA, and Brecht—Katherine Guinness gives us the associative and ever-branching readings that Trockel’s art requires. With a spirit for pursuing the surprising and the obscure, Guinness delves deep into a creator who is largely seen as an enigma, revealing Trockel as a thinker who challenges and transforms the possibilities of bodily representation and identity. Published by the University of Minnesota Press $30.00 paper ISBN 978-1-5179-0558-3$120.00 cloth ISBN 978-1-5179-0557-6232 pages, 44 b&amp;w photos, 6 x 8, 2019 You can purchase Schizogenesis from the University of Minnesota Press or Amazon. The dizzying effect of Trockel’s art plays out across Guinness’s well-crafted writing in ways that are illuminating and will certainly shape any future study on the artist. There is no question that hers is among the most attentive readings of Trockel’s work to date. Indeed, Trockel’s sphinxlike intricacy has met its match in the sharpness of Guinness’s scrutiny and scholarship.—Heather Diack, Associate Professor, Department of Art and Art History, University of Miami, in caa.reviews [full review can be found here] Rather than merely offering a dry recounting of Rosemarie Trockel's career, sprinkled occasionally with analyses of key artworks, Schizogenesis uses the occasion of scholars' and critics' perplexity as an invitation to perform—imaginatively and enthrallingly—the associative and ever-branching readings which Trockel's art beckons. — Jane Blocker, author of Becoming Past: History in Contemporary ArtKatherine Guinness’s guiding concept of schizogenesis ingeniously frames Rosemarie Trockel’s multilayered practice in terms of split production and rapid regeneration, metaphors of procreation that simultaneously evoke destruction and violence. Written in lively, witty prose, this book does justice to Trockel’s complex works by thinking of them as ‘theoretical objects’ that demand Guinness’s extended, probing analyses. — Gregory H. Williams, author of Permission to Laugh: Humor and Politics in Contemporary German Art https://katherineguinness.com/Influencer-Factory Tue, 09 Jul 2024 01:31:56 +0000 Katherine Guinness https://katherineguinness.com/Influencer-Factory THE INFLUENCER FACTORY: A MARXIST THEORY OF CORPORATE PERSONHOOD ON YOUTUBE (Coauthored with Grant Bollmer) ︎ Return to Main Page Influencers are more than social media personalities who attract attention for brands, argue Grant Bollmer and Katherine Guinness. They are figures of a new transformation in capitalism, in which the logic of the self is indistinguishable from the logic of the corporation. <img width="800" height="1200" src="https://freight.cargo.site/w/800/q/94/i/9050cace5ea17e26275f3a3338a8a6f2a1554df31ec0545ae080bb35236ae483/pid_36787.jpg" style="width: 313.421875px; height: 470.132813px; transform: rotate(5deg);" data-scale="50" data-rotation="5" data-no-zoom=""> Influencers are emblematic of what Bollmer and Guinness call the "Corpocene:" a moment in capitalism in which individuals achieve the status of living, breathing, talking corporations. Behind the veneer of leisure and indulgence, most influencers are laboring daily, usually for pittance wages, to manufacture a commodity called "the self"—a raw material for brands to use—with the dream of becoming corporations in human form by owning and investing in the products they sell. Refuting the theory that digital labor and economies are immaterial, Bollmer and Guinness search influencer content for evidence of the material infrastructure of capitalism. Each chapter looks to what literally appears in the backgrounds of videos and images: the houses, cars, warehouses, and spaces of the market that point back to the manufacturing and circulation of consumer goods. Demonstrating the material reality of producing the self as a commodity, The Influencer Factory makes a crucial contribution to our understanding of contemporary economic life. Buy it from the publisher, or from Amazon. Click here to see our discussion of the book on The Page 99 Test.The ideas from this book have been discussed by artists Lizzy Deacon and Ika Schwander in an interview for Émergent Magazine.The novelist and digital media strategist Andrew Ladd has discussed our book at length in a fantastic post on his blog. Publisher: Stanford University PressAPRIL 2024, 248 PAGE, FROM $28.00Hardcover ISBN: 9781503637924Paperback ISBN: 9781503638792“I can’t remember the last time a book blew my mind quite so completely. I feel like this is how nineteenth century proletarians must have felt reading Marx: like it just perfectly describes every last tiny indignity of working life, even the ones you’d never fully noticed before.”—Andrew Ladd, digital media strategist and novelist, author of NYPL Young Lions Award finalist &nbsp;What Ends "Don't read this book if you want to learn how to become an influencer. Do read this book if you're concerned about 'the self' being reduced to a mere product circulating on an endless social media reel. As Bollmer and Guinness convincingly demonstrate, influencer culture is only about celebrity and entertainment on the surface. The real story here concerns the reorganization of capital in the 21st century, and this is a story we all need to understand as it is ultimately about how workers who once made products have become products."—Kate Eichhorn, The New School"A dazzling and organic application of cultural theory, The Influencer Factory is a lively and provocative read for anyone invested in understanding how a new, expansive, and important sector of our cultural economy works."—Michael Palm, The University of North Carolina at Chapel Hill"At the intersection of authenticity, identity, and commerce, we find Bollmer and Guinness engaged in next-gen platform capitalism studies. The Influencer Factory nimbly combines digital media theory and political economy, with attention to the labor and infrastructure behind the corporate self."—Alexandra Juhasz, Brooklyn College CUNY"This compelling book gives voice to the often-invisible work of influencers. From the house and car to market and warehouse, The Influencer Factory puts influencers, their work and what they reflect about contemporary media culture into context—historically, socially, and culturally."—Larissa Hjorth, RMIT University, Melbourne https://katherineguinness.com/Curation-Page Fri, 18 Jun 2021 19:54:35 +0000 Katherine Guinness https://katherineguinness.com/Curation-Page CURATION ︎ Return to Main Page <img width="2550" height="1650" width_o="2550" height_o="1650" data-src="https://freight.cargo.site/t/original/i/6ab3e742eeece4f7c96fa4992943f6b68b3b5807158dd243803f84abe66290df/FEARS-revised.png" data-mid="111727465" border="0" data-no-zoom data-rotation="-10" src="https://freight.cargo.site/w/1000/i/6ab3e742eeece4f7c96fa4992943f6b68b3b5807158dd243803f84abe66290df/FEARS-revised.png" /> FEARS: The Female Emerging Artists Residency Series The Female Emerging Artists Residency Series was co-founded and is co-curated by Corey Drieth, Associate Professor of Painting and Drawing, UCCS Visual and Performing Arts (VAPA) and Dr. Katherine Guinness, VAPA’s Director of Art History. It features emerging professional artists of merit in residence at GOCA Downtown since 2019.Click here for more information on the shows that Katherine curated and co-curated as part of FEARS. <img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/3a3bf705ae16357930b76f24c6f18d53400f9dadb7b6d05f0af4d877aca05cb6/VAPA-SWAP-POSTER-v2-HUGE-NO-CONTACT.jpg" data-mid="111731114" border="0" data-no-zoom data-rotation="2.5" src="https://freight.cargo.site/w/1000/i/3a3bf705ae16357930b76f24c6f18d53400f9dadb7b6d05f0af4d877aca05cb6/VAPA-SWAP-POSTER-v2-HUGE-NO-CONTACT.jpg" /> The VAPA Swap: Non-Monetary Swap Meet and Art Exchange The VAPA Swap was a non-monetary art exchange and participatory “happening,” held on September 6, 2019, involving the faculty from UCCS’s Visual Arts and Art History programs in Visual and Performing Arts. Click here for photographs from the VAPA Swap. https://katherineguinness.com/FEARS-Page Fri, 18 Jun 2021 18:09:18 +0000 Katherine Guinness https://katherineguinness.com/FEARS-Page FEARS: FEMALE EMERGING ARTISTS RESIDENCY SERIES︎ Return to Curation ︎ Return to Main Page <img width="2550" height="1650" width_o="2550" height_o="1650" data-src="https://freight.cargo.site/t/original/i/6ab3e742eeece4f7c96fa4992943f6b68b3b5807158dd243803f84abe66290df/FEARS-revised.png" data-mid="111723700" border="0" data-no-zoom data-rotation="-10" src="https://freight.cargo.site/w/1000/i/6ab3e742eeece4f7c96fa4992943f6b68b3b5807158dd243803f84abe66290df/FEARS-revised.png" /> The Female Emerging Artists Residency Series was co-founded and is co-curated by Corey Drieth, Associate Professor of Painting and Drawing, UCCS Visual and Performing Arts (VAPA) and Dr. Katherine Guinness, VAPA’s Director of Art History. It features emerging professional artists of merit in residence at GOCA Downtown since 2019.Below are the shows that Katherine curated and co-curated as part of FEARS. Kimberly English, touch-and-go February 5 - March 19, 2021 <img width="972" height="1423" width_o="972" height_o="1423" data-src="https://freight.cargo.site/t/original/i/e996e7119120168a86b3202d84692945104881cef84fd7101a410725c4a9f0e4/KE-TAG-Card-Front-2-01-compressed.png" data-mid="111725315" border="0" data-no-zoom data-rotation="2.5" src="https://freight.cargo.site/w/972/i/e996e7119120168a86b3202d84692945104881cef84fd7101a410725c4a9f0e4/KE-TAG-Card-Front-2-01-compressed.png" /> More information about this residency can be found online at GOCA Digital.Kimberly English’s website can be found here. touch-and-go is a collection of contemporary fibers interrogating the evolving notion of "women’s work” in a globalized society. As the title of the exhibition alludes, this body of work is hinged on precarious systems, formally illustrated in the fragility of draping thread and dissolving stitches. Simultaneously temporal and ethereal, touch-and-go is made solely of manipulated and reclaimed textiles that point to the history of women’s work, its labor force, and its manifestation in public and in private spheres.Kimberly English is a fibers artist living and working in Raleigh, North Carolina. She recently earned her MFA from UNC, and she received her BFA in Fibers as a Distinguished Scholar from Savannah College of Art and Design. Her work explores themes central to the history of women’s work, its labor force, and the local impact of a global economy – primarily through found textiles. Watch the artist provide a walkthrough of touch-and-go: Kimberly English delivering a talk about this show, along with Katherine interviewing her about her work and this show, can be found on the Media page. Sara Z. Meghdari, Silent Self and in the U.S. December 11, 2020 - February 15, 2021 Above: Sara Z. Meghdari, Silent Self, 2014. More information about this residency can be found online at GOCA Digital.Sara Z. Meghdari’s website can be found here. Sara Z. Meghdari is an Iranian-American Interdisciplinary artist based in Brooklyn, NY. Meghdari holds a MFA in Photography, Video &amp; Related Media from the School of Visual Arts and a B.A in Communication from the University of Colorado, Colorado Springs. She has been twice awarded the Alice Beck-Odette Scholarship Award as well as the Thomas Reiss Memorial Award and is an alumna of the Engaging Artists Residency Program with the More-Art Organization. Meghdari has performed at Chinatown Soup Gallery (2019) and her work has been shown at the Clemente Soto Vélez Cultural &amp; Educational Center (2018), the 10th Annual Governors Island Art Fair (2017) and the Queens Museum of Art (2016), among others.“Silent Self” plays on a loop and is shown on a 32” screen that is vertically installed onto a wall. In a single shot, while wearing the Hijab and directly facing the camera, the figure slowly and consciously transitions through a series of emotions in an attempt to counter the commonly negative rhetoric and representation of Muslim women in news and media in the United States. Screened at GOCA DowntownDecember 11, 2020 - January 8, 2021 (1:47 Runtime) Katherine interviewing Sara Z. Meghdari about her work and this show can be found on the Media page. Danielle Rae Miller, Sacrum September 24 - December 4, 2020 <img width="1950" height="2850" width_o="1950" height_o="2850" data-src="https://freight.cargo.site/t/original/i/b50df4f2b23f203db49ea89df17d1ed69505b63abba50758fe40ec7da00d3cdc/DRM-Sacrum-Card-Front.png" data-mid="111723741" border="0" data-no-zoom data-rotation="-2.5" src="https://freight.cargo.site/w/1000/i/b50df4f2b23f203db49ea89df17d1ed69505b63abba50758fe40ec7da00d3cdc/DRM-Sacrum-Card-Front.png" /> More information about this residency can be found online at GOCA Digital. Danielle Rae Miller’s website can be found here. Danielle Rae Miller received her BFA from the Rhode Island School of Design, and her MFA from the University of New Mexico. Her artwork has been exhibited nationally and internationally in both solo and group exhibitions, and is included in public and private collections, including the State of New Mexico’s Art in Public Places Program, The City of Albuquerque’s 1% for the Arts Public Art Collection, and the Arjo Wiggins Paper Corporation. Miller teaches at CNM Community College and the Institute of American Indian Arts. Danielle Rae Miller’s works are dense compositions of plant, animal, and insect life realistically drawn with fine line ink on both sides of translucent vellum to create transparency, depth, and interaction between elements. Miller uses images with pre-attached meanings in our human mythologies—snakes, bees, butterflies, hummingbirds, beetles, roses, sunflowers, the human heart, ribcage, Daand pelvis—to engage an emotional response in viewers, to gently nudge individual and cultural memories, and hint at broader connections between all forms of life on this planet. Watch the artist provide an overview of Sacrum: Katherine interviewing Danielle Rae Miller about her work and this show can be found on the Media page. Carley Zarzeka, Wear Closed Toe Shoes and Throw Rocks to the Side September 20 - October 20, 2019 <img width="1650" height="2550" width_o="1650" height_o="2550" data-src="https://freight.cargo.site/t/original/i/82c92b899064fb681db291e1f284f19943e583b0f8c96542f767cb8072e3d53b/Zarzeka.png" data-mid="111723711" border="0" data-no-zoom data-rotation="5" src="https://freight.cargo.site/w/1000/i/82c92b899064fb681db291e1f284f19943e583b0f8c96542f767cb8072e3d53b/Zarzeka.png" /> Above: Carley Zarzeka, Becoming, 2019 Carley Zarzeka’s website can be found here. Carley Zarzeka was the inaugural FEARS artist at UCCS. She was born in 1992 in Doylestown, Pennsylvania. In 2018, she received her MFA in Studio Art at The University of North Carolina at Chapel Hill.&nbsp; The title of this exhibition,&nbsp;Wear Closed Toe Shoes and Throw Rocks to the Side, is both a command of protection and clearance, which are also two of the prominent formal themes throughout this new body of work. The exhibition includes wall-bound and freestanding assemblage sculptures built from found objects and knitting. The soft knitted forms weave, tie and uphold rackets, suet feeders, and cake pans, procuring the functionality and agency from the once used objects. The role reversal between hard and soft elements in this exhibition examines the everchanging gender roles in the domestic space and is at the center of how each component simultaneously operates in the individual work and the exhibition as a whole. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0361111340f4f78d2e6e939e411ea23e56669a00dbac62400520a805dfa55a32/IMG_8838.JPG" data-mid="111732487" border="0" data-scale="83" data-no-zoom src="https://freight.cargo.site/w/1000/i/0361111340f4f78d2e6e939e411ea23e56669a00dbac62400520a805dfa55a32/IMG_8838.JPG" /> Knitting Circle with Spinning Wheel and Spindle Demonstrations led by Nikki Stitch, held as an event accompanying&nbsp;Wear Closed Toe Shoes and Throw Rocks to the Side, November 1, 2019 <img width="1873" height="1957" width_o="1873" height_o="1957" data-src="https://freight.cargo.site/t/original/i/e543eff186b1ce123310adee8577a7d4d58d659e5c4c98e14442619b7a707673/zarzeka-talk.png" data-mid="111732371" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/e543eff186b1ce123310adee8577a7d4d58d659e5c4c98e14442619b7a707673/zarzeka-talk.png" /> Carley Zarzeka gives a talk introducing&nbsp;Wear Closed Toe Shoes and Throw Rocks to the Side at GOCA Downtown https://katherineguinness.com/VAPA-Swap Fri, 18 Jun 2021 20:58:34 +0000 Katherine Guinness https://katherineguinness.com/VAPA-Swap THE VAPA SWAP: NON-MONETARY SWAP MEET AND ART EXCHANGE︎ Return to Curation ︎ Return to Main Page <img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/3a3bf705ae16357930b76f24c6f18d53400f9dadb7b6d05f0af4d877aca05cb6/VAPA-SWAP-POSTER-v2-HUGE-NO-CONTACT.jpg" data-mid="111731414" border="0" data-no-zoom data-rotation="5" src="https://freight.cargo.site/w/1000/i/3a3bf705ae16357930b76f24c6f18d53400f9dadb7b6d05f0af4d877aca05cb6/VAPA-SWAP-POSTER-v2-HUGE-NO-CONTACT.jpg" /> The VAPA Swap was a non-monetary art exchange and participatory “happening,” held on September 6, 2019 at GOCA Downtown. It involved the faculty and students from UCCS’s Visual Arts and Art History programs in Visual and Performing Arts, inviting them to engage in durational and relational practices in which services (broadly defined) were “exchanged” among themselves and members of the community. Below are several photographs documenting this event. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/25485e1d6d99cd8615f04d08aa25f3346d6c6a811961018ec9e2148ebe1ff8ae/IMG_8315.JPG" data-mid="111731569" border="0" data-scale="91" data-no-zoom src="https://freight.cargo.site/w/1000/i/25485e1d6d99cd8615f04d08aa25f3346d6c6a811961018ec9e2148ebe1ff8ae/IMG_8315.JPG" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/613c4b057e428f3068dd309b658bce19b894f75f822fc60b7eadf15b376b9a9b/IMG_8337.JPG" data-mid="111731571" border="0" data-scale="85" data-no-zoom src="https://freight.cargo.site/w/1000/i/613c4b057e428f3068dd309b658bce19b894f75f822fc60b7eadf15b376b9a9b/IMG_8337.JPG" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d327b981948631ee17fbe58ded9990a077e877a8b77aadaf273072fd9117423d/IMG_8360.JPG" data-mid="111731573" border="0" data-scale="100" data-no-zoom src="https://freight.cargo.site/w/1000/i/d327b981948631ee17fbe58ded9990a077e877a8b77aadaf273072fd9117423d/IMG_8360.JPG" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/6db3a20802f67e5777ee7828c34700638ba1b07946f1c86e87231ddaa9a82aed/IMG_8318.JPG" data-mid="111731570" border="0" data-scale="88" data-no-zoom src="https://freight.cargo.site/w/1000/i/6db3a20802f67e5777ee7828c34700638ba1b07946f1c86e87231ddaa9a82aed/IMG_8318.JPG" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a8ed404459f20cb8261b6bf7d1624e02c8af37b9db2c094e7a13686a509b3452/IMG_8352.JPG" data-mid="111731572" border="0" data-scale="98" data-no-zoom src="https://freight.cargo.site/w/1000/i/a8ed404459f20cb8261b6bf7d1624e02c8af37b9db2c094e7a13686a509b3452/IMG_8352.JPG" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/db09285977785271599a6f782ff7071f0f053c7b6ee262640295e506207d37c0/IMG_8371.JPG" data-mid="111731574" border="0" data-scale="84" data-no-zoom src="https://freight.cargo.site/w/1000/i/db09285977785271599a6f782ff7071f0f053c7b6ee262640295e506207d37c0/IMG_8371.JPG" /> https://katherineguinness.com/Media-page Fri, 18 Jun 2021 19:25:28 +0000 Katherine Guinness https://katherineguinness.com/Media-page MEDIAInterviews, artist talks, podcasts, and other media appearances. ︎ Return to Main Page Interviews and Artist Talks UCCS Visiting Artist + Critics Series At UCCS, Katherine co-organized and led the Visiting Artist + Critics Series,&nbsp;a series co-produced by the UCCS Galleries of Contemporary Art and UCCS Visual Art &amp; Art History programs which has invited artists and scholars to the UCCS campus to present public lectures and meet with undergraduate students in classes and workshop settings. More about the series can be found here. Videos of interviews and talks organized by Katherine are below. Many of these were associated with shows curated by Katherine as part of the FEARS residency. More information about FEARS can be found here. elin o’Hara slavick April 8, 2021 elin o’Hara slavick is an artist, activist, curator, mother, poet, critic, educator, and Professor of Visual Art, Theory, and Practice based in Chapel Hill, North Carolina. slavick's conceptual practice revolves around the idea of making visible what we often do not see, while never separating form from function, theory from practice, or utopian concept from material reality.Her work uses conceptual and alternative photography practices, such as 19th Century techniques and contemporary digital technology, to theorize, historicize, and aestheticize issues including the atomic bombing of Hiroshima and other bombings in which the United States has participated (both at home and abroad). slavick has exhibited her work internationally and is the author of Bomb After Bomb: A Violent Cartography, with a foreword by Howard Zinn and essay by Carol Mavor and After Hiroshima, with an essay by James Elkins. Kimberly English February 4, 2021 Kimberly English is a fibers artist living and working in Raleigh, North Carolina. She recently earned her MFA from UNC, and she received her BFA in Fibers as a Distinguished Scholar from Savannah College of Art and Design. Her work explores themes central to the history of women’s work, its labor force, and the local impact of a global economy – primarily through found textiles. For more on Kimberly English’s FEARS exhibition&nbsp;touch-and-go, see here. Sara Z. Meghdari October 27, 2020Sara Z. Meghdari is an Iranian-American Interdisciplinary artist based in Brooklyn, NY. Meghdari holds a MFA in Photography, Video &amp; Related Media from the School of Visual Arts and a B.A in Communication from the University of Colorado, Colorado Springs. She has been twice awarded the Alice Beck-Odette Scholarship Award as well as the Thomas Reiss Memorial Award and is an alumna of the Engaging Artists Residency Program with the More-Art Organization. Meghdari has performed at Chinatown Soup Gallery (2019) and her work has been shown at the Clemente Soto Vélez Cultural &amp; Educational Center (2018), the 10th Annual Governors Island Art Fair (2017) and the Queens Museum of Art (2016), among others. For more on Sara Z. Meghdari’s FEARS residency, see here. Danielle Rae Miller September 30, 2020Danielle Rae Miller received her BFA from the Rhode Island School of Design, and her MFA from the University of New Mexico. Her artwork has been exhibited nationally and internationally in both solo and group exhibitions, and is included in public and private collections, including the State of New Mexico’s Art in Public Places Program, The City of Albuquerque’s 1% for the Arts Public Art Collection, and the Arjo Wiggins Paper Corporation. Miller teaches at CNM Community College and the Institute of American Indian Arts. Danielle Rae Miller’s works are dense compositions of plant, animal, and insect life realistically drawn with fine line ink on both sides of translucent vellum to create transparency, depth, and interaction between elements. Miller uses images with pre-attached meanings in our human mythologies—snakes, bees, butterflies, hummingbirds, beetles, roses, sunflowers, the human heart, ribcage, Daand pelvis—to engage an emotional response in viewers, to gently nudge individual and cultural memories, and hint at broader connections between all forms of life on this planet.For more on Danielle Rae Miller’s FEARS exhibition Sacrum, see here. Podcast Angreement <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b0861147d18e86a6fe4b864564e767b5fdf0171fd254b15c8cc6c12f12c08115/Angreement-Cover.jpg" data-mid="111728917" border="0" data-no-zoom data-rotation="-5" src="https://freight.cargo.site/w/1000/i/b0861147d18e86a6fe4b864564e767b5fdf0171fd254b15c8cc6c12f12c08115/Angreement-Cover.jpg" /><img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/affe97c5a052431db27c0b07e32a5cc086be12b4a1daf5535259651a1af46701/Angreement-Cover-copy.png" data-mid="155993760" border="0" data-rotation="-12.5" src="https://freight.cargo.site/w/1000/i/affe97c5a052431db27c0b07e32a5cc086be12b4a1daf5535259651a1af46701/Angreement-Cover-copy.png" /> When two lifelong friends found themselves unable to communicate productively as the world fell apart, they started a podcast. In each episode Katherine and Michelle talk about something weird, a piece of pop culture, and a research topic, then make it all fit together! Foley’s Follies: An Angreement Special In 2022, Katherine and Michelle presented a special, six-week edition of Angreement: Foley’s Follies! Each episode consists of three parts: a discussion of the book The Foley Grail, by Vanessa Theme Ament; the creation of actual foley noises that Michelle and Katherine suprise each other with; and finally, a full, scripted podcast-play utilizing what they have learned and made! Listen on Apple Podcasts, Spotify, or Soundcloud https://katherineguinness.com/Other-Writings Fri, 18 Jun 2021 22:10:06 +0000 Katherine Guinness https://katherineguinness.com/Other-Writings OTHER WRITINGSAcademic journal articles, book chapters, catalog essays, arts writing, etc. Links to digital copies of these can be found here, if available. ︎ Return to Main Page Academic Journal Articles Guinness, Katherine, Charlotte Kent, and Martina Tanga. “Collaborative Reflections on the Feminist Art and Architecture Collaborative,” OAR: The Oxford Artistic and Practice Based Research Platform, 4 (2021). [link] Guinness, Katherine. “Negative Hauntology and the Nuclear Sublime: On VR and Catastrophe,” Spectator 40:2 (2020), 31-39. [link] Bollmer, Grant and Katherine Guinness. “Empathy and Nausea: Virtual Reality and Jordan Wolfson’s Real Violence,” Journal of Visual Culture 19:1 (2020), 28-46. [link] Guinness, Katherine. “The Coloniser and Corpus Nullius,” parallax 26:1 (2020), 76-88. [link] Bollmer, Grant and Katherine Guinness. “‘Do You Really Want to Live Forever?’: Animism, Death, and the Trouble of Digital Images,” Cultural Studies Review 24:2 (2018), 79-96. [link] Guinness, Katherine. “Hard at Play: Zaniness and Labour in Contemporary Art,” Australian and New Zealand Journal of Art 18:1 (2018), 90-107. [link] Recipient of the Art Association of Australia &amp; New Zealand (AAANZ) Best Scholarly Article in the Australian and New Zealand Journal of Art Prize, 2019 Bollmer, Grant and Katherine Guinness. “Phenomenology for the Selfie,” Cultural Politics 13:2 (2017), 156-176. [link] Guinness, Katherine and Grant Bollmer. “Marina Abramović Doesn’t Feel Like You,” Feral Feminisms&nbsp;3 (2015), 46-61. [link] Guinness, Katherine. “Desiring and Destruction: Rosemarie Trockel’s Painting Machine,” NYX: A Noctournal 7 (2012), 93-100. Catalog Essays Guinness, Katherine. “For No Given Reason,” This:That: William Wylie and Corey Drieth (Charlottesville and Colorado Springs: University of Virginia and University of Colorado, Colorado Springs, 2021), 9-31. [link] Guinness, Katherine. “The Vegetal World,” Family Tree Whakapapa: Elin, Madeleine, Sarah, and Susanne Slavick (Auckland and Masterton, New Zealand: Wallace Arts Trust and Aratoi - Wairarapa Museum of Art and History, 2021), 3-9. [link] Guinness, Katherine. “Heath Franco’s LIFE IS SEXY,” The National (Sydney: Art Gallery of New South Wales, Carriageworks, and the Museum of Contemporary Art Sydney, 2017). [link] Arts Writing Guinness, Katherine. “Collaborations – A Formless Dialectic,” Montclair State University Creative Research Center, September 30, 2019. [link] The Feminist Art and Architecture Collaborative: Ana María León, Andrea J. Merrett, Armaghan Ziaee, Catalina Mejía Moreno, Charlotte Kent, Elaine Stiles, Emma Cheatle, Jennifer Y. Chuong, Katherine Guinness, Juliana Maxim, Louisa Iarocci, Martina Tanga, Olga Touloumi, Rebecca Choi, S Surface, Saher Sohail, Sarah Parrish, Tessa Paneth-Pollak. “To Manifest,” Harvard Design Magazine 46 (Winter 2018), 182-189. [link] Guinness, Katherine. “Making Kin with Pessimism (and Mushrooms),” Tilt West, October 16, 2018. [link] Guinness, Katherine. “The Future is Already Here, It’s Just the End,” KAPSULA 3 (2016), 8-15. [link] Commissioned through the Lisa Visser Writer’s Fund Award Guinness, Katherine. “9B and Me (Love, Touch, Destruction),” KAPSULA 2:3 (2015), 6-13. [link] Guinness, Katherine. “Does Heath Franco Think I’m a Dickhead? (Or, How I Learned to Stop Worrying and Love the Art that Makes Me Angry),” KAPSULA 1:4 (2014), 16-19. [link] Guinness, Katherine. “Celebrating an Unstable Oeuvre: Rosemarie Trockel’s Retrospective,” Esse&nbsp;80 (2014), 76-81. https://katherineguinness.com/Pedagogy-Page Fri, 18 Jun 2021 20:51:36 +0000 Katherine Guinness https://katherineguinness.com/Pedagogy-Page PEDAGOGYSome of the things Katherine has done as part of her teaching. ︎ Return to Main Page The Department of Homeland Obscurity (DOHO) <img width="1027" height="1024" width_o="1027" height_o="1024" data-src="https://freight.cargo.site/t/original/i/118a2b0a365b22bf4df4a84c112880d57233c99ebdaaac58a4b085b5e3e77df2/DHObscurity-Badge-2.png" data-mid="111734196" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/118a2b0a365b22bf4df4a84c112880d57233c99ebdaaac58a4b085b5e3e77df2/DHObscurity-Badge-2.png" /> The Department of Homeland Obscurity is a Guerrilla Girls-inspired activist, feminist art collective which emerged from a course on “Feminist Art History before the 1800s.” In its creation, it engaged with interventionist actions such as the designing and wheatpasting of posters drawing attention to the gendered politics of art history, along with an institutional critique report card, which members used to evaluate local museums and galleries. <img width="2053" height="3300" width_o="2053" height_o="3300" data-src="https://freight.cargo.site/t/original/i/b46f68167451530215dda0ff306d61bbda53b5c38f79f48e5f685fa0376b58d8/Ask-me-about-my-history-1.jpg" data-mid="111734182" border="0" data-scale="87" data-no-zoom src="https://freight.cargo.site/w/1000/i/b46f68167451530215dda0ff306d61bbda53b5c38f79f48e5f685fa0376b58d8/Ask-me-about-my-history-1.jpg" /><img width="3000" height="1500" width_o="3000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6d0ed2ffc1757af81bafdca19de3fcfdd7f47610be91a8c1e2ccf67ce5b0ae1b/Ask-me-about-my-history_Three-Goddesses-from-the-east-pediment-of-the-PARTHENON.jpg" data-mid="111734191" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/6d0ed2ffc1757af81bafdca19de3fcfdd7f47610be91a8c1e2ccf67ce5b0ae1b/Ask-me-about-my-history_Three-Goddesses-from-the-east-pediment-of-the-PARTHENON.jpg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/674539f038ca70dbeceec19c3e2e14e0fc1d186bd8d55d852a7f51d8c9be7081/doho_obscured.JPG" data-mid="111734197" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/674539f038ca70dbeceec19c3e2e14e0fc1d186bd8d55d852a7f51d8c9be7081/doho_obscured.JPG" /> <img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/efe15c1dad699d80c9bf7776852750d04c6e35cd0f46afa56d65f2c4862b63bc/claudelposter.png" data-mid="111734783" border="0" data-scale="80" data-no-zoom src="https://freight.cargo.site/w/1000/i/efe15c1dad699d80c9bf7776852750d04c6e35cd0f46afa56d65f2c4862b63bc/claudelposter.png" /> <img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/6b354138d336f79cb34de90e9bfbdd202d1e4d2ab609b08cc3a7a92241178427/DOHO-Report-Card-final.png" data-mid="111734784" border="0" data-scale="60" data-no-zoom src="https://freight.cargo.site/w/1000/i/6b354138d336f79cb34de90e9bfbdd202d1e4d2ab609b08cc3a7a92241178427/DOHO-Report-Card-final.png" /> Above: Examples of student-designed posters created for DOHO, documentation (with faces obscured) of students wheatpasting the Kreuzer Gallery in Colorado Springs, and the first page of the DOHO Institutional Critique Report Card The UCCS Letterbox The UCCS Letterbox was a project derived from the course “Art and Ideas,” where different groups of students all advanced project proposals which would apply concepts from the class in creating a public art project. The winner, which would receive funding for its realization, was voted on by the class. The Letterbox, the winner of this competition, was designed as a public place for anonymous letters, to ideally be a mobile location in which these letters would be deposited or retrieved. While the project was realized, its installation on UCCS’s campus was delayed due to COVID-19. The letterbox’s journey can be followed on Instagram at @uccsletterbox. <img width="862" height="1136" width_o="862" height_o="1136" data-src="https://freight.cargo.site/t/original/i/b0387ccee14c7ab97c23d1bf6a0a7b4dca49ef88c21f01963aaec745ffe811f9/Screen-Shot-2021-06-18-at-3.52.43-PM.png" data-mid="111735785" border="0" data-scale="79" data-no-zoom src="https://freight.cargo.site/w/862/i/b0387ccee14c7ab97c23d1bf6a0a7b4dca49ef88c21f01963aaec745ffe811f9/Screen-Shot-2021-06-18-at-3.52.43-PM.png" /><img width="802" height="1044" width_o="802" height_o="1044" data-src="https://freight.cargo.site/t/original/i/ffc0d394c2476090a0e1ea53e7cbd7b360a52b7150de8e7c5115851e511b9440/Screen-Shot-2021-06-18-at-3.52.59-PM.png" data-mid="111735786" border="0" data-no-zoom src="https://freight.cargo.site/w/802/i/ffc0d394c2476090a0e1ea53e7cbd7b360a52b7150de8e7c5115851e511b9440/Screen-Shot-2021-06-18-at-3.52.59-PM.png" /> <img width="808" height="1042" width_o="808" height_o="1042" data-src="https://freight.cargo.site/t/original/i/5733828ae4f5ec76d794b0bb4f3e772f261e24685745842e1aa24e18e38b9a31/Screen-Shot-2021-06-18-at-3.53.13-PM.png" data-mid="111735787" border="0" data-scale="69" data-no-zoom src="https://freight.cargo.site/w/808/i/5733828ae4f5ec76d794b0bb4f3e772f261e24685745842e1aa24e18e38b9a31/Screen-Shot-2021-06-18-at-3.53.13-PM.png" /><img width="1186" height="1022" width_o="1186" height_o="1022" data-src="https://freight.cargo.site/t/original/i/5b1de99778f66ad93e25e669f5aeaa48361b6ea989a4ba8b9a81078794a5d352/Screen-Shot-2021-06-18-at-3.52.14-PM.png" data-mid="111735784" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/5b1de99778f66ad93e25e669f5aeaa48361b6ea989a4ba8b9a81078794a5d352/Screen-Shot-2021-06-18-at-3.52.14-PM.png" /> &nbsp; https://katherineguinness.com/Feminist-Interview-Project Sun, 16 Oct 2022 18:19:05 +0000 Katherine Guinness https://katherineguinness.com/Feminist-Interview-Project FEMINIST INTERVIEW PROJECT︎ Return to Main PageThe Feminist Interview Project, organized by Katherine Guinness and Jocelyn Marshall on behalf of CAA’s Committee for Women in the Arts, examines the practices of feminism by interviewing a range of scholars and artists, preserving oral histories while expanding the boundaries of what might be considered feminist. Throughout its interviews, this project reimagines the&nbsp;possibilities of feminist practice&nbsp;and feminist futures. Currently Published Interviews Include Christine Sun Kim in Conversation with Tabitha Jacques <img width="1582" height="1106" width_o="1582" height_o="1106" data-src="https://freight.cargo.site/t/original/i/2bd431c0f2a486643b1ebcc2e903755821de320e96cf09b8765c0e122ae37dd1/Screen-Shot-2022-10-16-at-2.20.31-PM.png" data-mid="155994273" border="0" data-rotation="5" src="https://freight.cargo.site/w/1000/i/2bd431c0f2a486643b1ebcc2e903755821de320e96cf09b8765c0e122ae37dd1/Screen-Shot-2022-10-16-at-2.20.31-PM.png" /> For the inaugural interview published Art Journal Open, the Feminist Interview Project presented artist Christine Sun Kim in conversation with Tabitha Jacques, director of placemaking at Gallaudet University. The two met for a conversation over Zoom, spanning locales from New York to Berlin. Senga Nengudi in Conversation with Daisy McGowan For the second collaboration with Art Journal Open, the Feminist Interview Project presented artist Senga Nengudi in conversation with Daisy McGowan, director and chief curator of the University of Colorado, Colorado Springs Gallery of Contemporary Art. The two met for a conversation in Colorado Springs on January 21, 2020. <img width="1118" height="1252" width_o="1118" height_o="1252" data-src="https://freight.cargo.site/t/original/i/b1cc5498c35e2d8d1db9c930d0d3f251c90ff0ee613aa39ee578069dd749fcba/Screen-Shot-2022-10-16-at-2.50.49-PM.png" data-mid="155997199" border="0" data-rotation="2.5" src="https://freight.cargo.site/w/1000/i/b1cc5498c35e2d8d1db9c930d0d3f251c90ff0ee613aa39ee578069dd749fcba/Screen-Shot-2022-10-16-at-2.50.49-PM.png" /> Cassils in Conversation with Amelia Jones For our ongoing collaboration with Art Journal Open, the Feminist Interview Project is excited to present artist Cassils in conversation with Amelia Jones, the Robert A. Day Professor and Vice Dean of Faculty and Research at the Roski School of Art and Design. The two met for a conversation over Zoom on May 18, 2022, in Los Angeles. <img src="http://artjournal.collegeart.org/wp-content/uploads/2023/02/Cassils_Headshot-400x400-1.jpg" width="497" height="497" style="width: 267.980702px; height: 267.980702px;"> Julia Rose Sutherland in Conversation with Jocelyn E. Marshall <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/39e7c2bf227c7b93851cff783700d260b6745f14f829dc678fe03b1ac6911ac1/2.-Bodies-in-Conflict-Exhibition_Courtesy-of-Visual-Arts-Centre-of-Clarington_2021-2048x1365.jpg" data-mid="205093015" border="0" src="https://freight.cargo.site/w/1000/i/39e7c2bf227c7b93851cff783700d260b6745f14f829dc678fe03b1ac6911ac1/2.-Bodies-in-Conflict-Exhibition_Courtesy-of-Visual-Arts-Centre-of-Clarington_2021-2048x1365.jpg" /> For our ongoing collaboration with Art Journal Open, the Feminist Interview Project is excited to present Indigenous artist Julia Rose Sutherland in conversation with scholar and curator Jocelyn E. Marshall. The two met for a conversation over Zoom on December 4, 2021. Mira Schor in Conversation with Charlotte Kent For our ongoing collaboration with Art Journal Open, the Feminist Interview Project is excited to present artist and writer Mira Schor in conversation with Charlotte Kent, arts writer and Associate Professor of Visual Culture at Montclair State University. The two met for a conversation over Zoom on March 9, 2021. This interview has been edited for clarity. <img width="2048" height="1638" width_o="2048" height_o="1638" data-src="https://freight.cargo.site/t/original/i/c87a94a22175d6c4e772834c803c721dcb664c2ae02568f153122899bb5a88c8/4.-MIRA-SCHOR-w-STRANGE-FRUIT-and-DICKS-in-2017-LK_MSchor_cropped-copy-2-2048x1638.jpg" data-mid="205093028" border="0" src="https://freight.cargo.site/w/1000/i/c87a94a22175d6c4e772834c803c721dcb664c2ae02568f153122899bb5a88c8/4.-MIRA-SCHOR-w-STRANGE-FRUIT-and-DICKS-in-2017-LK_MSchor_cropped-copy-2-2048x1638.jpg" /> Katherine Guinness in Conversation with Jasmine Dillavou For our ongoing collaboration with Art Journal Open, the Feminist Interview Project is excited to present artist Jasmine Dillavou in conversation with Katherine Guinness, lecturer in art history at the University of Queensland. The two met for a conversation over Zoom on October 14, 2021. <img width="1244" height="828" width_o="1244" height_o="828" data-src="https://freight.cargo.site/t/original/i/b9b40fe3ee8193f8f4b77a9cf5a131f4d2f8077a6524022adff49096689ddc8e/Figure1_VV.jpeg" data-mid="205093046" border="0" src="https://freight.cargo.site/w/1000/i/b9b40fe3ee8193f8f4b77a9cf5a131f4d2f8077a6524022adff49096689ddc8e/Figure1_VV.jpeg" /> Michal Heiman in Conversation with Gil Z. Hochberg <img width="2048" height="1358" width_o="2048" height_o="1358" data-src="https://freight.cargo.site/t/original/i/21974113c719318c53856539853f0c4e4dd2195fcd4f829467f74e267ee0d62b/2.-Michal-Heiman_MHT2_Quimper_1998-2048x1358.jpg" data-mid="205093053" border="0" src="https://freight.cargo.site/w/1000/i/21974113c719318c53856539853f0c4e4dd2195fcd4f829467f74e267ee0d62b/2.-Michal-Heiman_MHT2_Quimper_1998-2048x1358.jpg" /> For our ongoing collaboration with Art Journal Open, the Feminist Interview Project is excited to present artist Michal Heiman in conversation with Gil Z. Hochberg, Ransford Professor of Hebrew and Visual Studies, Comparative Literature, and Middle East Studies at Columbia University, and the current Chair of the department of Middle Eastern, South Asian and African Studies. The two met for conversations over Zoom from September 2–5, 2023.